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quentindebriey: Keith,june’18

lovefrenchisbetter: Gerhard Richter

lovefrenchisbetter: Un p'tit café?

browersbody:Jarvis Cocker photographed by Harry Borden, 1993.

https://64.media.tumblr.com/3dd9a64301764c39a7abda6d30b2c370/a9e24105d00d4199-9d/s500x750/bb60c2c962ad1250cf626691ff715ef68584f6a0.jpg

sevensucks: Colin Dutton

aclockworkfilmsnob: Just because he’s being tortured and stripped of his humanity as a whole doesn’t me there’s no time for a smoke break.

unsubconscious: Eric Ravilious, ‘Still Life with Acanthus Leaves’, watercolour, 1938.

unsubconscious: Maison de Verre by architects Pierre Chareau and Bernard Bijvoet, Paris, 1928-1931. Photo by Adam Štěch, 2021.

THE MONKEY'S REALM

nontemporary: EMANUELA FIORELLI

avtavr: the asynchrononymous city at the full-colours rapture (it’s just another unique portrait viewed skyline scene out of place)photograph: francisco hidalgo © 1974

coolkidsofhistory:“My Dad with David Bowie on vacation in Greece, 1988”

1cecxla:cxcacxla: sadlostpup: everything is sort of weird and sad and i want to sleep next to you

disease: FRANK DIAZ // 1979ROBERT MAPPLETHORPE[gelatin silver print | 13 7/8 x 13 7/8″]

amberlarks:from Patti Smith “Just Kids”

vuls:Poem on His Birthday (41)| Micah Lexier

marilynkirsch:Cavern © Marilyn KirschAbstract Painting and Photography by Marilyn Kirsch

galina: the only kind of mess I really like is an unfettered with pile of books. I don’t know why it is so satisfying to see all these mismatched shapes and shades of pages arbitrarily put together but it just is—a pleasing architecture of daydreams

soundsof71: Iggy Pop at the New York City punk haven Max’s Kansas City, by Leee Black Childers.

searchsystem: Princeton University / School of Architecture / Spring 2019 / Poster / 2019

vuls:Ulrich Konigs. AA Files 29 Summer 1995: 33

quentindebriey: Matthew, Nyc summer ‘18

meganthepagan1:“They know the price of everything, the value of nothing.” - Johnny Depp, The Rum Diary. Referencing Oscar Wilde’s quote on cynics.

antonellogonzalez: instagram - @antonellogonzalez

more-relics: Pink Floyd Live at Pompeii nightview, october 1971. Photo EMI.

yamasakiko—ji: 突然に帽子を買い始めたカメラマンM　-　西成商店街にて

human-activities: The Match Factory Girl (Aki Kaurismäki, 1990)

tokyocandid:growth beyond the wall

yamasakiko—ji: 新世界

diabeticlesbian:Drawing the Line - Lesbian Sexual Politics on the Wall, Kiss and Tell, Press Gang, 1991. Susan Stewart in collaboration with Persimmon Blackbridge and Lizard Jones.

nationalgeographicscans: Palau, July 1978

murxury:“Wild Geese”, Mary Oliver.2019

waldesgeist:September 2021lostinfeathers

fallenoutoffashion:jean paul gaultier ss ‘94

marypickfords:Let’s Scare Jessica to Death (John D. Hancock, 1971)

criticalmera:Artur Pastor - Atlantic ocean, not dated

motivationsforlife: Infinite by Michael O`Neal

browndresswithwhitedots: flickr.com

theleoisallinthemind: source unknown

inneroptics: Roberto Yoshida - Skyscrapers 1959

I don't know what to say

pluiesurlesfleursbleues: “Because no matter where you run, you just end up running into yourself.” — Breakfast at Tiffany’s (1961)

garbonzos: No End, 1985, Krzysztof Kieslowski

peacephotography: Egg London nightclubPhotograph: Rob Pinney

Coitus-n-Carnage

lovefrenchisbetter: Prada Homme

Coitus-n-Carnage

rafamonzo:From the series “Interpreting the Silent Artefacts”http://rafamonzo.tumblr.com / http://tanaka-clan.tumblr

Coitus-n-Carnage

echoe-of-silence:

kitty-n-classe: @iringo.demeter

geminiscene: johnny depp, 2000.

thenewheaven: (”I Will Get it Tattooed”)

moetu: Helmut Lang backstage, Paris, 1995 / ph: Juergen Teller

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