ἀγαρικόν (suualk.tumblr.com)
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jaded-mandarin: Alexandre Cabanel - Nymphe et Satyr
dream-realm: The Siren 1900 John William Waterhouse
maertyrer: The martyrdom of Saint George Church of Saint George, Schenna, South Tyrol; 14th century
greuze: William Adolphe Bouguereau, Marchande de grenades (Detail), 1875
oh, you know
silenceforthesoul: Leon Jan Wyczółkowski - Alina
pansatyriam: Jean-Baptiste-Camille Corot, “Orpheus Leading Eurydice from the Underworld” (detail, oil on canvas, 1861).
silenceforthesoul: Nino Costa - To be or not to be. Who loves not is not, c. 1890
blooms-and-shrooms: Little Shroom in Cool Moss by Corrie White
maertyrer: Guido ReniSaint Margaret of Antiochc. 1638-39
يَسْتَرْخِي
animus-inviolabilis: Plate 4 of Visions of the Daughters of Albion(from a large book of designs) William Blake c.1793 ~ 1795
amare-habeo: Nicolas Dipre (French, known in Provence, 1495-1531) Le songe de Jacob, N/D Musée du Petit Palais, Paris, France
maertyrer: Alejo VeraThe Burial of Saint Lawrence in the Catacombs in Rome1862
maudelynn: Józef Simmler “Death of Barbara Radziwiłł” c.1860 original via wikipediacommons.org / my edit
v-ersacrum: Parmigianino, Bow-carving Amor (detail), 1534-1535
shy sonata for mercury
monsieurleprince: Adolph Ehrhardt (1813 - 1899) - Charlemagne mourning over the death of his wife Fastrada, 1857
decomposion: Art history meme (x) - 5-6/10 painthings - On the Seashore (1879) by George Elgar Hicks and Distant Thoughts by Wilhelm August Lebrecht Amberg
moistvre: William Adolphe-Bouguereau, Scènes de la vie de la Vierge: Pietà
omengomen:六月のきのこ・その21
monsieurleprince: Hugues Merle (1823 - 1881) - Hebe after her fall, 1880
thefloraliablog: Floralia, 1898 Hobbe Smith
lionofchaeronea: The Montalto Madonna, Annibale Carracci, 1597-98
fawnvelveteen: John William Waterhouse, The Enchanted Garden, c. 1916, oil on canvas, Lady Lever Art Gallery, Merseyside, England
detailsofpaintings: Jean-Honoré Fragonard, The Progress of Love : The Meeting (details) 1771-1772
detailsofpaintings: Studio of François Boucher, Venus disarming Cupid (detail) 18th century
omengomen:北のきのこ・その2
arsantiquis: The Proposal, William Bouguereau
enchantedsleeper:Pan’s Summer (1870), Emile-Jean-Baptiste-Phillipe Bin
hadrian6: The Judgement of Paris. 1878. Oscar Begas. German 1828-1883. oil/canvas. http://hadrian6.tumblr.com
suualk: *
monsieurleprince: Henri-Pierre Picou (1824 - 1895) - Le pas de l'ombre, 1872
loumargi: An Allegory with Venus and Cupid detail about 1545, Bronzino
suonko: Robert Anning Bell - Music by the Water
*
silenceforthesoul: Louis Welden Hawkins (1849-1910) - Venus des champs et les amours
classic-art: School of ApellesJean Broc, 1800
classic-art: Bacchus and AriadneAntoine Jean Gros, c. 1821
radiogirl27: Presentation at the Temple - Giovanni Bellini - 1460-64 Renaissance/Venetian School Fondazione Querini Stampalia (Venice, Italy)
classic-art: Entry of Christ into JerusalemPietro Lorenzetti, 1320
fantasticfungi:Pink and poisonous.Pink Mycena or Mycena Pura
v-ersacrum: Lucas Cranach the Elder, Judith with the head of Holophernes (details), 1520-1540
simena: Louise Amélie Landré (detail)
loumargi: Sassoferrato - Madonna with Child
libutron: Lilac Blewit - Lepista sublilacinaLepista sublilacina (Tricholomataceae) is a medium sized fungus native to Australia, with a beautiful lilac or lavender color. The gills are pale pinkish when the fungus is fresh and it has a mix of long
v-ersacrum: Jean Cousin the Elder, Eva Prima Pandora, c.1550
v-ersacrum: Friedrich von Amerling, The Drowsy one, c.1840
classical-beauty-of-the-past: Summer by Sir William Ernest Reynolds-Stephens (1862 -1943)
sulphuriclike: William Adolphe Bouguereau_Les Deux Baigneuses_1884
enchantedsleeper: Pan’s Summer (1870), Emile-Jean-Baptiste-Phillipe Bin
v-ersacrum: Ernst Klimt, Vor der Hochzeit (Before the wedding), 19th century
loumargi: Louis-Jean-Francois Lagrene - La Melancolie
monsieurleprince: Emmanuel Benner (1836 - 1896) - Nus au bois
monsieurleprince: Jules-Joseph Lefebvre (1836 - 1911) - Dawn
books0977: The Muse of Music (1758). Joseph-Marie Vien (French, 1716-1809). Oil on canvas.The neoclassical tendencies Vien developed ran so counter to the reigning taste of the age that, when he returned to Paris, it was only through the intervention
fungiroom: クリタケ/Hypholoma sublateritium goooodness
loumargi: Henry Ryland - The Captive’s Return Henry Ryland - The Isles Of Greece
renaissance-art: Titian c, 1520-1523 Bacchus and Ariadne (detail)